I agree. I have every T/S lens Canon makes for my architectural work and I have never wished for AF, not in 40 years.I wonder if the autofocus will work on pre-2024 bodies? Either way, I don’t see any benefit of AF in a TS lens for me. I have the 17 and 24, and use is always slow-paced. I think I’ve shot handheld (shift only) with the TS-E 24 just once.
I’ll wait to see what’s offered. My personal hope is for the movements to be encoded. I’d be interested in a 14mm TS.
A great way to shoot butterflies was with a 90mm TS-E and a 2x teleconvertor or a closeup lens. You can get the entire wing in focus even at fully-open, and perfect once you stop down to f/16 or what have you.I see, when in Italy or France, mountains, flowers or animals are my main subjects.
I don’t think youre their target audience. Architectural photographers would love some new TS lenses.I would consider a tilt-shift lens around a 24 mm focal length although I am not sure how often I would use it. Definitely, not a go to lens so might eventually pass on it. Just FYI I have never owned a tilt-shift lens.
They need more focal lengths, not af. Especially needed is a 35mm TS. Most people use a tripod and work slow when using a tilt shift and don't need autofocus.I agree. I have every T/S lens Canon makes for my architectural work and I have never wished for AF, not in 40 years.
They need more focal lengths, not af. Especially needed is a 35mm TS. Most people use a tripod and work slow when using a tilt shift and don't need autofocus.
Hi -I'll go out on a limb and suggest that I know more about my shooting style than you. Manual focus is fast, especially with the focus aids of current cameras. Application of shift (which I use far more than tilt or the combination) is also fast. Years ago the advent of live view obviated the extra time for proper metering with lens movements. My slow pace is principally for careful framing including leveling the ballhead and because the shutter speeds are slow. The difference between a near-instant autofocus and less than a second for a careful manual focus is essentially irrelevant when shooting at blue hour with exposures of 10-30s or longer. But thanks for your precise explanation of how I take pictures.
Thanks for this.A great way to shoot butterflies was with a 90mm TS-E and a 2x teleconvertor or a closeup lens. You can get the entire wing in focus even at fully-open, and perfect once you stop down to f/16 or what have you.
I make a habit of commenting on things that interest me. Given that I own and use two TS lenses, new versions are of interest. Autofocus in such lenses doesn’t really interest me (or others here, evidently), but other potential developments (wider AoV, encoded movements) are of interest. Thus my comments to that effect.But I can't help but wonder - do you make a habit of posting comments on every single piece of photography equipment that gets discussed, when it has no relevance to your "shooting style"?
So it seems - I've just taken a look at your profile and I note that you're well on your way to making 2^15 posts here. Congratulations.I make a habit of commenting on things that interest me.
I've just had a look at my profile, and can report that, given this is just my 5th post here in close to a decade, no - seemingly I do not.But I can't help but wonder - do you make a habit of posting comments that make you look like a jerk? Don’t trip and fall on your face as you dash off.
I watched the ABC Australia show "Stuff the British Stole" on the Parthenon Sculptures (Ep1, series 2). Series shows the complicated arguments for/against objects in the UK that came from other countriesI don't think it's so much that we would sell it because at least some museums with the tripod rule will say you can bring an easel. As I understand copyright law, you can sell a drawing or painting of another's artwork provided there is some acknowledgement, but even publicly sharing a photo for free can be a problem.
They want people to come to museums and buy their books. It is important to support them, especially some places don't provide much or maybe any tax money for museums.
New RF mount Tilt-Shift lenses have been rumored for quite some time, and one of the big features coming is that they will be the first tilt-shift lenses that we know of to have autofocus. We have seen a series of patents for these lenses, and in the last six months or so, they have
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if all these patents make it into the camera(s) and TS lenses - it will be absolutely bonkers and ground breaking.
Definitely. Not sure how likely that is (I’m skeptical) but I hope we’ll see something other than just RF equivalents of the current TS lenses.if all these patents make it into the camera(s) and TS lenses - it will be absolutely bonkers and ground breaking.
LOL. If all those patents make it into these lenses, they will be absolutely bonkers costly and ground breakingly expensive. And you complained the RF 50/1.8 is too expensive.There are some here that get that and some that don't.
... quite a revealing post here...Autofocus in such lenses doesn’t really interest me (or others here, evidently), but other potential developments (wider AoV, encoded movements) are of interest. Thus my comments to that effect.
Do you understand the difference between a piece of photography equipment and the specific features of that equipment? In an analogous example, I have no use for the aperture ring on the 24-105/2.8…but it’s an excellent lens and I use mine frequently.
But I can't help but wonder - do you make a habit of posting comments that make you look like a jerk? Don’t trip and fall on your face as you dash off.
I sense a theme."We do believe they will require the next generation cameras from Canon to utilise their entire feature set."